Helping to plan an arts and environment event for next June, I came across this anecdote in a report about a climate/theatre event organised by Lawrence Weschler in New York earlier this year. It's not new, of course, but may be an interesting reminder of what can be possible:
The discovery [in 1967 by Roger Payne and Scott McVay that humpback whales produced a repeated pattern of sounds that could be described as a song] was both lucky and deliberate. [Payne] had studied the auditory faculties of bats and owls, but decided to focus his work on an animal that might draw attention to what he saw, even then, as an environmental crisis. He had never seen a whale, he said, but decided that if he found “some groovy thing” about whales that it would grab the public’s interest.[Hat tip Ashdenizen for Weschler ref]
Having found something about whales that was far groovier than he could have imagined, Dr. Payne set out to find composers, writers and musicians who could propel the finding into popular culture.
P.S. 5 Dec: Three theatrico-cetaceacal links from Ashdenizen:Rothenberg, whales onstage and narwhal story.
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